Berklee PULSE — A Major Scale – Piano Notes & Practice
A major seven-note spelling; key signature accidental count
The A major scale uses A, B, C♯, D, E, F♯ and G♯. See the keyboard, key signature and one-octave fingering, then practice the scale.
A – B – C♯ – D – E – F♯ – G♯ – A
Direction: Ascending · A4 → A5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | A4 | B4 | C♯5 | D5 | E5 | F♯5 | G♯5 | A5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |
One-octave fingering.
Finger numbers identify fingers, not scale degrees. Only one-octave, separately checked rows are shown.
Select every note used in A Major, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
A - B - C♯ - D - E - F♯ - G♯. Octave and order are not scored in this question.
A4 - B4 - C♯5 - D5 - E5 - F♯5 - G♯5 - A5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · A4-A5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
Key signature: F#, C#, G#
A – B – C♯ – D – E – F♯ – G♯ – A
Direction: Ascending · A4 → A5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | A4 | B4 | C♯5 | D5 | E5 | F♯5 | G♯5 | A5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |
One-octave fingering.
One-octave reference. Finger numbers appear only for the hand and direction combinations covered by the sources listed above.
A Major contains A, B, C#, D, E, F#, G#. Repeat A at the top to complete one octave. Its key signature has 3 sharps.
A major uses C-sharp, F-sharp, and G-sharp. In the key signature, their written order is F♯, C♯, G♯; in the ascending scale, C♯ is encountered first. The half-step pairs are C♯–D and G♯–A. Key signatures list accidentals in a fixed order; a scale lists notes starting from its tonic.
For this one-octave version, the right hand crosses from C♯ with finger 3 to D with the thumb. The left hand crosses from E with the thumb to F♯ with finger 3. The final G♯–A uses right-hand fingers 4–5 and left-hand fingers 2–1.
Suggested drill: point to the three altered notes in the note list, then play A–B–C♯–D followed by E–F♯–G♯–A. During a return run, say G-sharp and F-sharp aloud. Finish by checking the same passage on the staff without adding unnecessary accidental symbols beside every note.
Each degree of A major has a name, and stacking every other note from that degree gives the triad built on it. Roman numerals use capitals for major triads, lower case for minor and ° for diminished.
F♯ minor is the relative minor of A major. Both keys use the same notes and key signature, but the minor key starts on degree 6.
A major uses three black keys: C♯, F♯ and G♯.
On a narrow screen, scroll this table horizontally to read every column.
| Degree | Note | Degree name | Triad | Triad notes |
|---|---|---|---|---|
| 1 | A | Tonic | I · A major | A – C♯ – E |
| 2 | B | Supertonic | ii · B minor | B – D – F♯ |
| 3 | C♯ | Mediant | iii · C♯ minor | C♯ – E – G♯ |
| 4 | D | Subdominant | IV · D major | D – F♯ – A |
| 5 | E | Dominant | V · E major | E – G♯ – B |
| 6 | F♯ | Submediant | vi · F♯ minor | F♯ – A – C♯ |
| 7 | G♯ | Leading tone | vii° · G♯ diminished | G♯ – B – D |
Adding a seventh to the dominant triad gives V7, the dominant seventh of A major. E7: E – G♯ – B – D.
The one-octave ascending notes are A–B–C#–D–E–F#–G#–A. The key signature contains 3 sharps: F#, C#, G#. These accidentals also apply in descent.
Key signatures use an established accidental order; A major lists F#, C# and G#. The scale starts on A, so its ascending note order is A–B–C#–D–E–F#–G#–A. The order of sharps in the signature is not the order in which they are encountered from the tonic.
This source-documented one-octave reference shows right hand ascending 1–2–3–1–2–3–4–5 and descending 5–4–3–2–1–3–2–1; left hand ascending 5–4–3–2–1–3–2–1 and descending 1–2–3–1–2–3–4–5. Read each row in playing order. These are sourced choices, not the only possible fingerings, and must not be repeated mechanically for a second octave.
Suggested drill: point to the three altered notes in the note list, then play A–B–C♯–D followed by E–F♯–G♯–A. During a return run, say G-sharp and F-sharp aloud. Finish by checking the same passage on the staff without adding unnecessary accidental symbols beside every note.
References for the notes, patterns and examples on this page.
A major seven-note spelling; key signature accidental count
C,D,F,G,A,E,B,Bb,Eb major: one-octave staff spelling and RH/LH ascending/descending numbers; Bb/Eb LH top finger 2; Eb RH start finger 2 A natural minor one-octave fingerings
One-octave ascending and descending fingerings for C, G, D, A, E, B, F, B♭ and E♭ major
Major-scale W–W–H–W–W–W–H rule; ascending/descending scale definition; half step is adjacent keyboard pitches; tonic repeated at octave
Pitch step, alter, octave; C4 convention; key signature fifths positive/negative
Official public entry for the Standard MIDI Files specification
Explicit one-octave C,G,D,A,E fingering applicability; F RH crossing at Bb–C; B LH starting finger 4 and thumb E; finger-number role