Berklee PULSE — E-Flat Major Scale – Piano Notes & Practice
E-flat major seven-note spelling; key signature accidental count
This E flat major scale piano reference shows E♭, F, G, A♭, B♭, C and D, then E♭ again at the octave. Its key signature has three flats: B♭, E♭ and A♭. Choose one hand and direction to read the one-octave fingering.
E♭ – F – G – A♭ – B♭ – C – D – E♭
Direction: Ascending · E♭4 → E♭5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | E♭4 | F4 | G4 | A♭4 | B♭4 | C5 | D5 | E♭5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 2 | 1 | 2 | 3 | 4 | 1 | 2 | 3 |
One-octave fingering.
Finger numbers identify fingers, not scale degrees. Only one-octave, separately checked rows are shown.
Select every note used in E♭ Major, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
E♭ - F - G - A♭ - B♭ - C - D. Octave and order are not scored in this question.
E♭4 - F4 - G4 - A♭4 - B♭4 - C5 - D5 - E♭5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · E♭4-E♭5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
Key signature: Bb, Eb, Ab
E♭ – F – G – A♭ – B♭ – C – D – E♭
Direction: Ascending · E♭4 → E♭5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | E♭4 | F4 | G4 | A♭4 | B♭4 | C5 | D5 | E♭5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 2 | 1 | 2 | 3 | 4 | 1 | 2 | 3 |
One-octave fingering.
One-octave reference. Finger numbers appear only for the hand and direction combinations covered by the sources listed above.
Use this E flat major scale piano reference to read E♭–F–G–A♭–B♭–C–D–E♭. The seven different notes become eight played notes when the tonic repeats at the octave. The key signature has B♭, E♭ and A♭; keep those flats in the spelling when you descend.
The half steps are G–A♭ and D–E♭. A♭ and B♭ are consecutive scale notes, but they are a whole step apart. In E flat major scale piano practice, identify these distances before reading finger numbers: scale degrees describe notes, while finger numbers describe the hand.
The displayed one-octave right-hand ascent uses 2–1–2–3–4–1–2–3. The left-hand ascent uses 3–2–1–4–3–2–1–2. Choose Descending to read each note with its returning finger. These E flat major scale piano rows cover one octave; their ending fingers do not prescribe a connection into another octave.
Suggested E flat major scale piano practice: play G–A♭–B♭–C with right-hand fingers 2–3–4–1, then return with 1–4–3–2. Next compare the left-hand G–A♭ crossing. Combine the fragments into one octave when comfortable. This is a practice suggestion derived from the displayed notes and fingering, not a claim about learning speed.
Each degree of E♭ major has a name, and stacking every other note from that degree gives the triad built on it. Roman numerals use capitals for major triads, lower case for minor and ° for diminished.
C minor is the relative minor of E♭ major. Both keys use the same notes and key signature, but the minor key starts on degree 6.
E♭ major uses three black keys: E♭, A♭ and B♭.
On a narrow screen, scroll this table horizontally to read every column.
| Degree | Note | Degree name | Triad | Triad notes |
|---|---|---|---|---|
| 1 | E♭ | Tonic | I · E♭ major | E♭ – G – B♭ |
| 2 | F | Supertonic | ii · F minor | F – A♭ – C |
| 3 | G | Mediant | iii · G minor | G – B♭ – D |
| 4 | A♭ | Subdominant | IV · A♭ major | A♭ – C – E♭ |
| 5 | B♭ | Dominant | V · B♭ major | B♭ – D – F |
| 6 | C | Submediant | vi · C minor | C – E♭ – G |
| 7 | D | Leading tone | vii° · D diminished | D – F – A♭ |
Adding a seventh to the dominant triad gives V7, the dominant seventh of E♭ major. B♭7: B♭ – D – F – A♭.
E♭, F, G, A♭, B♭, C and D. The key signature lists three flats in the order B♭, E♭, A♭. G–A♭ and D–E♭ are the half-step pairs.
The shown right-hand row starts on E♭ with finger 2; the left-hand row starts with finger 3. Read the selected hand’s row rather than applying one hand’s numbers to the other.
In the displayed right-hand ascent, use 3–4–1. Returning over C–B♭–A♭ uses 1–4–3. Finger numbers refer to this one-octave version.
No. Its sourced finger numbers cover one octave for both hands and directions. Connecting another octave may change an ending finger, so do not extend the row automatically.
References for the notes, patterns and examples on this page.
E-flat major seven-note spelling; key signature accidental count
E♭ major one-octave note spelling and fingering for both hands, ascending and descending.
A second reference for E♭ major one-octave fingering for both hands and directions.
Major-scale W–W–H–W–W–W–H rule; ascending/descending scale definition; half step is adjacent keyboard pitches; tonic repeated at octave
Pitch step, alter, octave; C4 convention; key signature fifths positive/negative
Official public entry for the Standard MIDI Files specification