University of Puget Sound / Robert Hutchinson - Scales — Music Theory for the 21st-Century Classroom
Supports: Minor blues degrees and b5/#4 spelling
Location: 31.9.1 The Blues Scale
Source record: AT-10
Compare C and G major and minor blues scales with note lists and the added blue-note position.
C – E♭ – F – G♭ – G – B♭ – C
Direction: Ascending · C4 → C5 · Semitone movement: 3 – 2 – 1 – 1 – 3 – 2
C minor blues: C - Eb - F - Gb - G - Bb - C.
Berklee direct note list plus independent textbook formula; #4/b5 and #2/b3 are enharmonic alternatives on equal-tempered piano
| Notes | C4 | E♭4 | F4 | G♭4 | G4 | B♭4 | C5 |
|---|
Notes only - fingering is not available for this form, hand, direction and one-octave range.
Current collection: C and G, major and minor blues. Unknown fingering remains notes-only and is never copied from the previous selection.
Select every note used in C minor blues, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
C - E♭ - F - G♭ - G - B♭. Octave and order are not scored in this question.
C4 - E♭4 - F4 - G♭4 - G4 - B♭4 - C5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · C4-C5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
View: Right hand · Direction: ascending · Range: one octave
C – E♭ – F – G♭ – G – B♭ – C
Direction: Ascending · C4 → C5 · Semitone movement: 3 – 2 – 1 – 1 – 3 – 2
| Notes | C4 | E♭4 | F4 | G♭4 | G4 | B♭4 | C5 |
|---|
Notes only - fingering is not available for this form, hand, direction and one-octave range.
Current selected reference. Notes, staff, keyboard and any finger numbers come from this same view. Missing fingering remains notes-only.
This table lists every named example supported on this page. The final repeated note is the octave endpoint.
On a narrow screen, scroll this table horizontally to read every column.
| Example | Ascending notes | Interval steps |
|---|---|---|
| C minor blues | C – E♭ – F – G♭ – G – B♭ – C | 3 – 2 – 1 – 1 – 3 – 2 |
| G minor blues | G – B♭ – C – D♭ – D – F – G | 3 – 2 – 1 – 1 – 3 – 2 |
| C major blues | C – D – E♭ – E – G – A – C | 2 – 1 – 1 – 3 – 2 – 3 |
| G major blues | G – A – B♭ – B – D – E – G | 2 – 1 – 1 – 3 – 2 – 3 |
This reference covers two six-note blues-scale forms in C and G. Minor blues adds a note between the fourth and fifth degrees of minor pentatonic. In C, that gives C, E-flat, F, G-flat, G and B-flat. Major blues adds a chromatic note between the second and third degrees of major pentatonic. C major blues contains C, D, E-flat, E, G and A.
The minor examples use the label flat fifth: G-flat in C, D-flat in G. You may also see the same piano keys named sharp fourth. The major examples use flat third for the extra note; some theory texts spell that passing tone as sharp second. Keep the displayed spelling when reading a particular example.
Minor blues vocabulary can occur over major blues harmony. A major or minor label therefore does not provide a rule that every note will fit every chord in the same way. These note collections are a starting reference; phrasing and the accompanying harmony still matter.
Compare C minor pentatonic with C minor blues. Play F, G-flat, G slowly, then finish on C. Next compare D, E-flat, E in the C major blues example. Keep the two forms separately labeled so their different thirds do not get mixed together.
The minor blues formula used here is 1–b3–4–b5–5–b7. In C, the one-octave reference is C–Eb–F–Gb–G–Bb–C. The last C is the repeated tonic, not a seventh distinct pitch class.
The major blues formula used here is 1–2–b3–3–5–6. C major blues is C–D–Eb–E–G–A–C; the added Eb lies between D and E. It is not the C minor blues collection with its title changed.
Compared with minor pentatonic, minor blues adds the flat fifth between degrees 4 and 5: Gb between F and G in C. Compared with major pentatonic, major blues adds a chromatic passing pitch between degrees 2 and 3: Eb between D and E in C. Keep the spelling convention shown for the selected example.
Minor blues vocabulary can occur over major blues harmony. A major or minor label therefore does not provide a rule that every note will fit every chord in the same way. These note collections are a starting reference; phrasing and the accompanying harmony still matter.
Sources below are limited to the note, theory, fingering, or editorial scope recorded for this page. A source record is not the same as a teacher review.
Supports: Minor blues degrees and b5/#4 spelling
Location: 31.9.1 The Blues Scale
Source record: AT-10
Supports: Minor/major blues construction; contextual use; alternate #2/#4 spellings
Location: Key Takeaways; The Blues Scale; The major blues scale
Source record: AT-11
Supports: C minor blues pitch spelling
Location: Opening note list
Source record: AT-12
Supports: G minor blues pitch spelling
Location: Opening note list
Source record: AT-13
Supports: C major blues pitch spelling
Location: Opening note list
Source record: AT-14
Supports: G major blues pitch spelling
Location: Opening note list
Source record: AT-15
Supports: C minor pentatonic pitch spelling
Location: Opening note list
Source record: AT-20