Berklee PULSE — B Major Scale – Piano Notes & Practice
B major note spelling and five-sharp key signature
The B major scale uses B, C♯, D♯, E, F♯, G♯ and A♯. See the five-sharp key signature, keyboard and one-octave fingering for both hands, then practice the scale.
B – C♯ – D♯ – E – F♯ – G♯ – A♯ – B
Direction: Ascending · B4 → B5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | B4 | C♯5 | D♯5 | E5 | F♯5 | G♯5 | A♯5 | B5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |
One-octave fingering.
Finger numbers identify fingers, not scale degrees. Only one-octave, separately checked rows are shown.
Select every note used in B Major, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
B - C♯ - D♯ - E - F♯ - G♯ - A♯. Octave and order are not scored in this question.
B4 - C♯5 - D♯5 - E5 - F♯5 - G♯5 - A♯5 - B5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · B4-B5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
Key signature: F#, C#, G#, D#, A#
B – C♯ – D♯ – E – F♯ – G♯ – A♯ – B
Direction: Ascending · B4 → B5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | B4 | C♯5 | D♯5 | E5 | F♯5 | G♯5 | A♯5 | B5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |
One-octave fingering.
One-octave reference. Finger numbers appear only for the hand and direction combinations covered by the sources listed above.
B Major contains B, C#, D#, E, F#, G#, A#. Repeat B at the top to complete one octave. Its key signature has 5 sharps.
B major uses five black keys, while B and E remain natural. The half-step pairs are D♯–E and A♯–B. Do not add an E-sharp just because this is a sharp key: E is the fourth degree in the verified note spelling.
This left-hand version begins B–C♯–D♯–E with 4–3–2–1. The thumb therefore reaches E before finger 4 crosses to F♯. The right hand begins with its thumb on B and uses 1–2–3–1–2–3–4–5. Each hand has its own starting finger.
Suggested drill: practice the left-hand opening four notes, then connect E to F♯ using 1–4. On the return, check F♯–E with 4–1. Complete one octave before increasing the range. Keep the B-major spelling in the staff and note labels even when comparing with an enharmonic scale.
Each degree of B major has a name, and stacking every other note from that degree gives the triad built on it. Roman numerals use capitals for major triads, lower case for minor and ° for diminished.
G♯ minor is the relative minor of B major. Both keys use the same notes and key signature, but the minor key starts on degree 6.
B major uses five black keys: C♯, D♯, F♯, G♯ and A♯.
On a narrow screen, scroll this table horizontally to read every column.
| Degree | Note | Degree name | Triad | Triad notes |
|---|---|---|---|---|
| 1 | B | Tonic | I · B major | B – D♯ – F♯ |
| 2 | C♯ | Supertonic | ii · C♯ minor | C♯ – E – G♯ |
| 3 | D♯ | Mediant | iii · D♯ minor | D♯ – F♯ – A♯ |
| 4 | E | Subdominant | IV · E major | E – G♯ – B |
| 5 | F♯ | Dominant | V · F♯ major | F♯ – A♯ – C♯ |
| 6 | G♯ | Submediant | vi · G♯ minor | G♯ – B – D♯ |
| 7 | A♯ | Leading tone | vii° · A♯ diminished | A♯ – C♯ – E |
Adding a seventh to the dominant triad gives V7, the dominant seventh of B major. F♯7: F♯ – A♯ – C♯ – E.
The one-octave ascending notes are B–C#–D#–E–F#–G#–A#–B. The key signature contains 5 sharps: F#, C#, G#, D#, A#. These accidentals also apply in descent.
The cited left-hand row begins 4–3–2–1 on B–C#–D#–E, then continues 4–3–2–1 on F#–G#–A#–B. Starting with finger 4 belongs to that documented grouping. Do not replace it with the C-major pattern or claim it is the only choice in all musical contexts.
This source-documented one-octave reference shows right hand ascending 1–2–3–1–2–3–4–5 and descending 5–4–3–2–1–3–2–1; left hand ascending 4–3–2–1–4–3–2–1 and descending 1–2–3–4–1–2–3–4. Read each row in playing order. These are sourced choices, not the only possible fingerings, and must not be repeated mechanically for a second octave.
Suggested drill: practice the left-hand opening four notes, then connect E to F♯ using 1–4. On the return, check F♯–E with 4–1. Complete one octave before increasing the range. Keep the B-major spelling in the staff and note labels even when comparing with an enharmonic scale.
References for the notes, patterns and examples on this page.
B major note spelling and five-sharp key signature
One-octave major-scale spelling and fingering for both hands, ascending and descending A natural minor one-octave fingerings
One-octave ascending and descending fingerings for C, G, D, A, E, B, F, B♭ and E♭ major
Major-scale W–W–H–W–W–W–H rule; ascending/descending scale definition; half step is adjacent keyboard pitches; tonic repeated at octave
Pitch step, alter, octave; C4 convention; key signature fifths positive/negative
Official public entry for the Standard MIDI Files specification
Explicit one-octave C,G,D,A,E fingering applicability; F RH crossing at Bb–C; B LH starting finger 4 and thumb E; finger-number role