How chord progressions work
A pattern keeps its Roman numerals while the selected key maps each degree to a chord name and written notes.
Choose a piano chord progression and key, read its chord names and notes, then hear the changes as block or broken chords. Start with C–G–Am–F, or explore the other patterns below.
8 practice patterns, with 12 key contexts for each. Read the Roman numerals, chord names and notes, then choose how to play the example.
Read the labels in order
96 progression examples
Read each chord’s Roman numeral, name and notes. Notes outside the selected scale are marked.
A pattern keeps its Roman numerals while the selected key maps each degree to a chord name and written notes.
I C (C–E–G) → V G (G–B–D) → vi Am (A–C–E) → IV F (F–A–C)
I C (C–E–G) → IV F (F–A–C) → V G (G–B–D) → I C (C–E–G)
I C (C–E–G) → V G (G–B–D) → vi Am (A–C–E) → IV F (F–A–C)
I E (E–G♯–B) → V B (B–D♯–F♯) → vi C♯m (C♯–E–G♯) → IV A (A–C♯–E)
I A (A–C♯–E) → V E (E–G♯–B) → vi F♯m (F♯–A–C♯) → IV D (D–F♯–A)
ii9 Dm9 (D–F–A–C–E) → V13 G13 (G–B–D–F–A–C–E) → Imaj9 Cmaj9 (C–E–G–B–D)
This is a subjective practice label, not a guaranteed listener response.I C (C–E–G) → IV F (F–A–C) → V G (G–B–D) → I C (C–E–G)
This is a subjective practice label; tempo, register and musical context change the effect.Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G
Common tones with next chord None
Common tones with next chord A · C
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A♭
Common tones with next chord None
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A
Common tones with next chord None
Common tones with next chord B · D
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B♭
Common tones with next chord None
Common tones with next chord C · E♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B
Common tones with next chord None
Common tones with next chord C♯ · E
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C
Common tones with next chord None
Common tones with next chord D · F
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord None
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord D
Common tones with next chord None
Common tones with next chord E · G
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E♭
Common tones with next chord None
Common tones with next chord F · A♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E
Common tones with next chord None
Common tones with next chord F♯ · A
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F
Common tones with next chord None
Common tones with next chord G · B♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F♯
Common tones with next chord None
Common tones with next chord G♯ · B
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C
Common tones with next chord None
Common tones with next chord G
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord None
Common tones with next chord A♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord D
Common tones with next chord None
Common tones with next chord A
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E♭
Common tones with next chord None
Common tones with next chord B♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E
Common tones with next chord None
Common tones with next chord B
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F
Common tones with next chord None
Common tones with next chord C
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F♯
Common tones with next chord None
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G
Common tones with next chord None
Common tones with next chord D
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A♭
Common tones with next chord None
Common tones with next chord E♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A
Common tones with next chord None
Common tones with next chord E
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B♭
Common tones with next chord None
Common tones with next chord F
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B
Common tones with next chord None
Common tones with next chord F♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A · C
Common tones with next chord C
Common tones with next chord G
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord None
Common tones with next chord A♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B · D
Common tones with next chord D
Common tones with next chord A
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C · E♭
Common tones with next chord E♭
Common tones with next chord B♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C♯ · E
Common tones with next chord E
Common tones with next chord B
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord D · F
Common tones with next chord F
Common tones with next chord C
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord F♯
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E · G
Common tones with next chord G
Common tones with next chord D
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F · A♭
Common tones with next chord A♭
Common tones with next chord E♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F♯ · A
Common tones with next chord A
Common tones with next chord E
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G · B♭
Common tones with next chord B♭
Common tones with next chord F
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G♯ · B
Common tones with next chord B
Common tones with next chord F♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord D · F
Common tones with next chord G · B
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E♭ · G♭
Common tones with next chord A♭ · C
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E · G
Common tones with next chord A · C♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F · A♭
Common tones with next chord B♭ · D
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F♯ · A
Common tones with next chord B · D♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G · B♭
Common tones with next chord C · E
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A · C
Common tones with next chord D · F♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B♭ · D♭
Common tones with next chord E♭ · G
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B · D
Common tones with next chord E · G♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C · E♭
Common tones with next chord F · A
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord F♯ · A♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord D · A
Common tones with next chord E · G
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E♭ · B♭
Common tones with next chord F · A♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E · B
Common tones with next chord F♯ · A
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F · C
Common tones with next chord G · B♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F♯ · C♯
Common tones with next chord G♯ · B
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G · D
Common tones with next chord A · C
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A · E
Common tones with next chord B · D
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B♭ · F
Common tones with next chord C · E♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B · F♯
Common tones with next chord C♯ · E
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C · G
Common tones with next chord D · F
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Common tones with next chord D♯ · F♯
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord D · F
Outside the named scale: B. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord G
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Outside the named scale: B♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord None
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord E · G
Outside the named scale: C♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord A
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F · A♭
Outside the named scale: D. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord B♭
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord F♯ · A
Outside the named scale: D♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord B
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord G · B♭
Outside the named scale: E. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord C
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Outside the named scale: E♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord None
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord A · C
Outside the named scale: F♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord D
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Outside the named scale: F𝄪. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord None
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord B · D
Outside the named scale: G♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord E
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord C · E♭
Outside the named scale: A. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord F
Natural-minor context
Tags are editorial listening prompts, not guaranteed emotional effects.
Common tones with next chord None
Outside the named scale: A♯. Major V7 uses a raised leading tone in this minor cadence.
Common tones with next chord F♯
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C · E · G · B♭
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C · E · G · B♭
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C · E · G · B♭
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F · A · C · E♭
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C · E · G · B♭
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G
Common tones with next chord F
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D♭ · F · A♭ · C♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D♭ · F · A♭ · C♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D♭ · F · A♭ · C♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord None
Outside the named scale: F♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord None
Outside the named scale: F♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord None
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D♭ · F · A♭ · C♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭
Common tones with next chord None
Outside the named scale: F♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord None
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D · F♯ · A · C
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D · F♯ · A · C
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D · F♯ · A · C
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G · B · D · F
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D · F♯ · A · C
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A
Common tones with next chord G
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭ · G · B♭ · D♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭ · G · B♭ · D♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭ · G · B♭ · D♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭ · C · E♭ · G♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭ · G · B♭ · D♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭
Common tones with next chord A♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E · G♯ · B · D
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E · G♯ · B · D
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E · G♯ · B · D
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A · C♯ · E · G
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E · G♯ · B · D
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B
Common tones with next chord A
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F · A · C · E♭
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F · A · C · E♭
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F · A · C · E♭
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭ · D · F · A♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F · A · C · E♭
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C
Common tones with next chord B♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F
Outside the named scale: E♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯ · A♯ · C♯ · E
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯ · A♯ · C♯ · E
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯ · A♯ · C♯ · E
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B · D♯ · F♯ · A
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯ · A♯ · C♯ · E
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord None
Common tones with next chord None
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯
Outside the named scale: E. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord None
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G · B · D · F
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G · B · D · F
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G · B · D · F
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord C · E · G · B♭
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G · B · D · F
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D
Common tones with next chord C
Outside the named scale: B♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord G
Outside the named scale: F. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭ · C · E♭ · G♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭ · C · E♭ · G♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭ · C · E♭ · G♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D♭ · F · A♭ · C♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭ · C · E♭ · G♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭
Common tones with next chord D♭
Outside the named scale: C♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A♭
Outside the named scale: G♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A · C♯ · E · G
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A · C♯ · E · G
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A · C♯ · E · G
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord D · F♯ · A · C
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A · C♯ · E · G
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E
Common tones with next chord D
Outside the named scale: C. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord A
Outside the named scale: G. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭ · D · F · A♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭ · D · F · A♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭ · D · F · A♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E♭ · G · B♭ · D♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭ · D · F · A♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F
Common tones with next chord E♭
Outside the named scale: D♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B♭
Outside the named scale: A♭. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F
Major-key context
Tags are editorial listening prompts, not guaranteed emotional effects.
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B · D♯ · F♯ · A
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B · D♯ · F♯ · A
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B · D♯ · F♯ · A
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord E · G♯ · B · D
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B · D♯ · F♯ · A
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯
Common tones with next chord E
Outside the named scale: D. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord B
Outside the named scale: A. Dominant-seventh blues study, not a claim that all tones are diatonic to the major scale.
Common tones with next chord F♯
A chord progression is an ordered sequence of harmonies. I–V–vi–IV becomes C–G–Am–F in C major, E–B–C-sharp minor–A in E major, and A–E–F-sharp minor–D in A major. These examples use a reference voicing and four counts per chord.
Read C–G–Am–F as four chords. Each chord lasts one bar of 4/4, with four quarter-note beats per bar. Its pattern is I–V–vi–IV in C major.
8 practice patterns are available in 12 key contexts each, giving 96 examples. Choose a pattern first, then select its key context.
Roman numerals identify degrees relative to the selected key. They do not specify the octave, hand, inversion, rhythm or instrument sound. Those choices must be given by the individual realization.
Changing the key changes the pitches while retaining the degrees. Changing the voicing can retain the chord names while rearranging which notes are lowest. Neither operation should silently change an advertised example.
Start with I–V–vi–IV, vi–IV–I–V and I–IV–V–I in the same key. Read each chord’s notes, compare the final chord, then try repeating the pattern. Print current example prints the selected pattern and key.
Try the ii9–V13–Imaj9 color example or the I–IV–V–I cadence. Play slowly and compare block with broken chords. “Beautiful” and “happy” are subjective listening prompts; the chord order does not guarantee either response.
I–V–vi–IV finishes on IV. The vi–IV–I–V pattern starts on the minor vi chord and ends on V. I–IV–V–I returns to I in its final bar. Select each pattern in the same key to compare its starting and ending chords.
Read each chord symbol and its notes before playing. Choose a tempo and block or broken chords. To repeat the full pattern, select Loop full pattern before pressing Play. Press Stop before changing playback settings, then play again.
These examples do not prescribe transition fingerings or a fixed hand allocation. Choose a comfortable pace and check the note references before trying the changes on your piano.
Playback uses a fixed reference voicing for each chord. Its register is a listening example, not a prescribed hand position.
Wider spacing or a separate bass changes the sound. Open an individual chord reference to compare its available voicings before trying a different arrangement.
A progression should not hide uncertainty about an individual chord. Open that chord’s reference to check the third, bass or spelling, then return to the same bar of the sequence.
The chord tables remain readable without JavaScript. Enable JavaScript to choose an example, hear it and print the current selection. This tool does not listen to or assess your piano playing.
8 named patterns, each available in 12 key contexts, for 96 examples. Depending on the pattern, an example contains 3, 4 or 12 chord steps.
No. The pattern does not determine an emotional response on its own. Mood labels should not replace note, rhythm and context information.
No. They label harmonic degrees. Fingerings and hand allocation are separate decisions.