Berklee PULSE — G Major Scale – Piano Notes & Practice
G major seven-note spelling; key signature accidental count
The G major scale uses G, A, B, C, D, E and F♯. See the keyboard, key signature and one-octave fingering for both hands, then hear and practice the scale.
G – A – B – C – D – E – F♯ – G
Direction: Ascending · G4 → G5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | G4 | A4 | B4 | C5 | D5 | E5 | F♯5 | G5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |
One-octave fingering.
Finger numbers identify fingers, not scale degrees. Only one-octave, separately checked rows are shown.
Select every note used in G Major, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
G - A - B - C - D - E - F♯. Octave and order are not scored in this question.
G4 - A4 - B4 - C5 - D5 - E5 - F♯5 - G5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · G4-G5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
Key signature: F#
G – A – B – C – D – E – F♯ – G
Direction: Ascending · G4 → G5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | G4 | A4 | B4 | C5 | D5 | E5 | F♯5 | G5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |
One-octave fingering.
One-octave reference. Finger numbers appear only for the hand and direction combinations covered by the sources listed above.
G Major contains G, A, B, C, D, E, F#. Repeat G at the top to complete one octave. Its key signature has 1 sharp.
The seventh degree is F-sharp, not F natural. F♯–G is a half step; the other half step is B–C. A run of white keys from G to G would therefore miss one of the notes required for G major. The single sharp remains present on the way down.
The right hand changes from finger 3 on B to the thumb on C, then reaches F♯ with finger 4. In the left hand, the thumb on D is followed by finger 3 on E. These are separate crossing points even when both hands move upward.
Suggested drill: play E–F♯–G, then G–F♯–E, keeping F♯ in both directions. Next, start the full scale from the lower G and name the two half-step pairs as you reach them. Use the descending finger row rather than restarting the ascending row from the top.
Each degree of G major has a name, and stacking every other note from that degree gives the triad built on it. Roman numerals use capitals for major triads, lower case for minor and ° for diminished.
E minor is the relative minor of G major. Both keys use the same notes and key signature, but the minor key starts on degree 6.
G major uses one black key: F♯.
On a narrow screen, scroll this table horizontally to read every column.
| Degree | Note | Degree name | Triad | Triad notes |
|---|---|---|---|---|
| 1 | G | Tonic | I · G major | G – B – D |
| 2 | A | Supertonic | ii · A minor | A – C – E |
| 3 | B | Mediant | iii · B minor | B – D – F♯ |
| 4 | C | Subdominant | IV · C major | C – E – G |
| 5 | D | Dominant | V · D major | D – F♯ – A |
| 6 | E | Submediant | vi · E minor | E – G – B |
| 7 | F♯ | Leading tone | vii° · F♯ diminished | F♯ – A – C |
Adding a seventh to the dominant triad gives V7, the dominant seventh of G major. D7: D – F♯ – A – C.
The one-octave ascending notes are G–A–B–C–D–E–F#–G. The key signature contains 1 sharp: F#. These accidentals also apply in descent.
G major requires F#, giving G–A–B–C–D–E–F#–G. White keys alone would produce F natural and therefore a different interval pattern.
This source-documented one-octave reference shows right hand ascending 1–2–3–1–2–3–4–5 and descending 5–4–3–2–1–3–2–1; left hand ascending 5–4–3–2–1–3–2–1 and descending 1–2–3–1–2–3–4–5. Read each row in playing order. These are sourced choices, not the only possible fingerings, and must not be repeated mechanically for a second octave.
Suggested drill: play E–F♯–G, then G–F♯–E, keeping F♯ in both directions. Next, start the full scale from the lower G and name the two half-step pairs as you reach them. Use the descending finger row rather than restarting the ascending row from the top.
References for the notes, patterns and examples on this page.
G major seven-note spelling; key signature accidental count
C,D,F,G,A,E,B,Bb,Eb major: one-octave staff spelling and RH/LH ascending/descending numbers; Bb/Eb LH top finger 2; Eb RH start finger 2 A natural minor, PDF page 2 printed page 40 A row: one-octave RH/LH ascending and descending numbers; source staff A3-A4
Independent visual checks of one-octave RH/LH ascending/descending sequences and staff pitches for C,G,D,A,E,B,F,Bb,Eb
Major-scale W–W–H–W–W–W–H rule; ascending/descending scale definition; half step is adjacent keyboard pitches; tonic repeated at octave
Pitch step, alter, octave; C4 convention; key signature fifths positive/negative
Official public entry for the Standard MIDI Files specification
Explicit one-octave C,G,D,A,E fingering applicability; F RH crossing at Bb–C; B LH starting finger 4 and thumb E; finger-number role