Open Music Theory / Chelsey Hamm — Introduction to Diatonic Modes and the Chromatic Scale
Seven modal interval patterns and parallel relationships Chromatic half steps and non-mandatory ascending-sharp / descending-flat spelling
This chromatic scale piano reference shows every adjacent key across one octave. There are twelve different pitch classes, with the starting note repeated at the end. Compare the C and G examples in both directions.
C – C♯ – D – D♯ – E – F – F♯ – G – G♯ – A – A♯ – B – C
Direction: Ascending · C4 → C5 · Semitone movement: 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1
Ascending sharp spelling directly matches source.
Berklee pitch collection plus Open Music Theory adjacent-half-step definition and spelling guidance
| Notes | C4 | C♯4 | D4 | D♯4 | E4 | F4 | F♯4 | G4 | G♯4 | A4 | A♯4 | B4 | C5 |
|---|
Notes only - fingering is not available for this form, hand, direction and one-octave range.
Current collection: one-octave C and G chromatic reference sequences. Unknown fingering remains notes-only and is never copied from the previous selection.
Select every note used in C chromatic, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
C - C♯ - D - D♯ - E - F - F♯ - G - G♯ - A - A♯ - B. Octave and order are not scored in this question.
C4 - C♯4 - D4 - D♯4 - E4 - F4 - F♯4 - G4 - G♯4 - A4 - A♯4 - B4 - C5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · C4-C5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
View: Right hand · Direction: ascending · Range: one octave
C – C♯ – D – D♯ – E – F – F♯ – G – G♯ – A – A♯ – B – C
Direction: Ascending · C4 → C5 · Semitone movement: 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1
| Notes | C4 | C♯4 | D4 | D♯4 | E4 | F4 | F♯4 | G4 | G♯4 | A4 | A♯4 | B4 | C5 |
|---|
Notes only - fingering is not available for this form, hand, direction and one-octave range.
Current selected reference. Notes, staff, keyboard and any finger numbers come from this same view. Missing fingering remains notes-only.
This table lists every named example supported on this page. The final repeated note is the octave endpoint.
On a narrow screen, scroll this table horizontally to read every column.
| Example | Ascending notes | Interval steps |
|---|---|---|
| C chromatic | C – C♯ – D – D♯ – E – F – F♯ – G – G♯ – A – A♯ – B – C | 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 |
| G chromatic | G – G♯ – A – A♯ – B – C – C♯ – D – D♯ – E – F – F♯ – G | 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 – 1 |
For chromatic scale piano practice, move through successive half steps and include both black and white keys. E–F and B–C are adjacent white-key pairs: each is already a half step. One octave has twelve distinct pitch classes and thirteen played notes when the opening note returns at the top.
Begin with C–C♯–D–D♯–E–F–F♯–G–G♯–A–A♯–B–C. Every step has the same size even though the black-key pattern changes. In this chromatic scale piano example, check E–F and B–C before changing direction. The repeated upper C completes the octave rather than adding a thirteenth pitch class.
Ascending sharps and descending flats are common spellings, not a universal rule. The G example displays F for the key that the source calls E♯; this editorial spelling keeps the sounding key unchanged. Read the chosen direction’s note names before comparing the two versions.
For chromatic scale piano practice, follow the C example up and down, then select G and compare the same half-step pattern. Play slowly enough to include every adjacent key, especially E–F and B–C. Use Show answer to inspect the selected example. These exercises identify notes and order; finger numbers and listening-based assessment are not provided.
C, C♯, D, D♯, E, F, F♯, G, G♯, A, A♯ and B. Repeat C to complete the one-octave ascent. The downward example uses flat spellings where appropriate.
Yes. Move to the next adjacent key each time, including both black and white keys. E–F and B–C need no intervening black key.
No. The C and G examples provide notes, staff, keyboard and sound. Note order is separate from fingering; no hand position is prescribed by these diagrams.
No. That is a common reference spelling, not a rule for every score. The displayed G example uses F instead of the source’s E♯ for the same sounding key.
References for the notes, patterns and examples on this page.
Seven modal interval patterns and parallel relationships Chromatic half steps and non-mandatory ascending-sharp / descending-flat spelling
C chromatic ascending spelling
G chromatic pitch sequence; source spells the F key as E#