Explore the e flat minor scale on piano: six flats, natural, harmonic and classical melodic notes, sourced fingering, playback and chords.
Your last settings are saved only in this browser. Use Clear to remove them.
E♭ – F – G♭ – A♭ – B♭ – C♭ – D♭ – E♭
Direction: Ascending · E♭4 → E♭5 · Semitone movement: 2 – 1 – 2 – 2 – 1 – 2 – 2
| Notes | E♭4 | F4 | G♭4 | A♭4 | B♭4 | C♭5 | D♭5 | E♭5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 2 | 1 | 2 | 3 | 4 | 1 | 2 | 3 |
One-octave fingering.
Finger numbers identify fingers, not scale degrees. Only one-octave, separately checked rows are shown.
Select every note used in E♭ Natural minor, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
E♭ - F - G♭ - A♭ - B♭ - C♭ - D♭. Octave and order are not scored in this question.
E♭4 - F4 - G♭4 - A♭4 - B♭4 - C♭5 - D♭5 - E♭5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · E♭4-E♭5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
Key signature: Bb, Eb, Ab, Db, Gb, Cb
E♭ – F – G♭ – A♭ – B♭ – C♭ – D♭ – E♭
Direction: Ascending · E♭4 → E♭5 · Semitone movement: 2 – 1 – 2 – 2 – 1 – 2 – 2
| Notes | E♭4 | F4 | G♭4 | A♭4 | B♭4 | C♭5 | D♭5 | E♭5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 2 | 1 | 2 | 3 | 4 | 1 | 2 | 3 |
One-octave fingering.
One-octave reference. Finger numbers appear only for the hand and direction combinations covered by the sources listed above.
The natural e flat minor scale is E♭–F–G♭–A♭–B♭–C♭–D♭–E♭. Its signature contains B♭, E♭, A♭, D♭, G♭ and C♭. F and C♭ are the two white-key positions; C♭ sounds on B. The natural half steps are F–G♭ and B♭–C♭. G♭ major is the relative major, sharing the same signature while starting on the third degree of this minor scale.
The harmonic e flat minor scale raises D♭ to D♮ in both directions, so its ending is B♭–C♭–D–E♭. Classical melodic minor raises C♭ and D♭ to C♮ and D♮ on ascent: E♭–F–G♭–A♭–B♭–C–D–E♭. Descending restores D♭ and C♭. These changes do not replace the six-flat key signature. Select each form to compare the written letter, the physical key and the reference sound; the right hand uses treble clef and the left hand uses bass clef.
The e flat minor scale natural rows come from LearnMusicTheory, with right-hand ascent 2–1–2–3–4–1–2–3 and left-hand ascent 2–1–4–3–2–1–3–2. Its descending rows are transcribed separately. Harmonic ascent uses the explicitly paired D♯/E♭ source: the right hand begins on finger 3, a different choice from the natural row. Harmonic descent and every classical melodic row show Notes only. Do not transfer numbers between forms or repeat an endpoint to invent a second octave.
On an equal-tempered piano, the e flat minor scale and D♯ minor use the same keys in corresponding forms. Their reading differs: E♭ natural minor uses C♭ and D♭, while D♯ natural minor uses B and C♯. Raising the seventh produces D♮ here but C𝄪 in D♯ harmonic minor. The flat spelling fits relative G♭ major; D♯ minor fits F♯ major. Follow the score’s chosen letters instead of renaming isolated notes from the keyboard.
In the e flat minor scale, natural v is B♭–D♭–F. Change only D♭ to D♮ and you have B♭ major, the harmonic V. Resolve that D to E♭, then compare the natural ending C♭–D♭–E♭ with the harmonic ending C♭–D–E♭. For melodic ascent use C–D–E♭, returning to E♭–D♭–C♭ on descent. Check the selected form before playback; the practice controls provide a reference and pulse, not microphone assessment.
The key of E♭ minor uses the same notes as the E♭ natural minor scale. Each degree of E♭ natural minor has a name, and stacking every other note from that degree gives the triad built on it. Roman numerals use capitals for major triads, lower case for minor and ° for diminished.
G♭ major is the relative major of E♭ minor. Both keys use the same notes and key signature, but the major key starts on degree 3.
E♭ natural minor uses five black keys: E♭, G♭, A♭, B♭ and D♭. C♭ is played on the white key B.
On a narrow screen, scroll this table horizontally to read every column.
| Degree | Note | Degree name | Triad | Triad notes |
|---|---|---|---|---|
| 1 | E♭ | Tonic | i · E♭ minor | E♭ – G♭ – B♭ |
| 2 | F | Supertonic | ii° · F diminished | F – A♭ – C♭ |
| 3 | G♭ | Mediant | III · G♭ major | G♭ – B♭ – D♭ |
| 4 | A♭ | Subdominant | iv · A♭ minor | A♭ – C♭ – E♭ |
| 5 | B♭ | Dominant | v · B♭ minor | B♭ – D♭ – F |
| 6 | C♭ | Submediant | VI · C♭ major | C♭ – E♭ – G♭ |
| 7 | D♭ | Subtonic | VII · D♭ major | D♭ – F – A♭ |
In natural minor, the chord on degree 5 is minor. Harmonic minor raises degree 7 from D♭ to D, the leading tone. That makes the dominant chord major and gives V7, the dominant seventh of E♭ minor. B♭7: B♭ – D – F – A♭.
The natural e flat minor scale contains E♭, F, G♭, A♭, B♭, C♭ and D♭. Harmonic minor uses D♮. Classical melodic minor uses C♮ and D♮ ascending, then C♭ and D♭ descending.
Yes. The e flat minor scale uses six flats and has G♭ major as its relative major. Its enharmonic equivalent is D♯ minor: the corresponding forms use the same keys on an equal-tempered piano, but their written letters differ.
No. The e flat minor scale begins on E♭ and has six flats; C natural minor begins on C and has three flats. E♭ major, a different scale from E♭ minor, is the relative major of C minor.
The e flat minor scale has separate natural-minor source rows for both hands and directions, plus harmonic ascent. Remaining combinations display Notes only. The harmonic right-hand starting finger differs from the natural row, so check the form first.
Sources below are limited to the note, theory, fingering, or editorial scope recorded for this page. A source record is not the same as a teacher review.
Supports: Natural-minor notes, relative keys and eight-note ascending fingers. E-sharp is retained rather than physical F; no descending fingers.
Location: D# / Eb and G# / Ab sections; theoretical spelling overview.
Supports: Harmonic notes and ascending fingers only. Physical F/D/G are written E-sharp/C-double-sharp/F-double-sharp where the overview specifies. No descending or melodic fingers.
Location: D# / Eb and G# / Ab ascending rows and theoretical spelling overview.
Supports: Classical ascending and descending pitch collections; theoretical letter spelling follows the seven-degree rule. No fingering claim.
Location: Classical convention; D# / Eb and G# / Ab overview.
Supports: interval rules minor forms and classical directions relative versus parallel keys
Location: Key Takeaways; Natural Minor; Harmonic Minor; Melodic Minor
Supports: Pitch step, alter, octave; C4 convention; key signature fifths positive/negative
Location: Key and Pitch, lines 80–119
Supports: Official public entry for the Standard MIDI Files specification
Location: Standard MIDI Files overview
Supports: F-sharp major comparison; E-flat natural minor one-octave fingers, each hand and direction. No G-flat, D-sharp or G-sharp spelled row.
Location: Page 1 F# major; page 2 Eb natural minor; RH above and LH below.