Pianoscales.org — Piano Major Scales
Supports: F-sharp/G-flat major spellings and explicitly paired one-octave ascending fingers. No descending fingering.
Location: F# / Gb section and theoretical spelling overview.
Explore the g flat major scale on piano: six flats, C♭ on white B, sourced ascending fingering, one-octave playback, chords and F♯ comparison.
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G♭ – A♭ – B♭ – C♭ – D♭ – E♭ – F – G♭
Direction: Ascending · G♭4 → G♭5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | G♭4 | A♭4 | B♭4 | C♭5 | D♭5 | E♭5 | F5 | G♭5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 2 | 3 | 4 | 1 | 2 | 3 | 1 | 2 |
One-octave fingering.
Finger numbers identify fingers, not scale degrees. Only one-octave, separately checked rows are shown.
Select every note used in G♭ Major, ascending. This question checks the note set; octave and order do not matter.
Chosen: None
Attempt open · unassisted
G♭ - A♭ - B♭ - C♭ - D♭ - E♭ - F. Octave and order are not scored in this question.
G♭4 - A♭4 - B♭4 - C♭5 - D♭5 - E♭5 - F5 - G♭5
This guide does not listen to your piano. Completion is self-reported. The staff is a pitch reference; the pulse controls timing.
Practice tempo: 60 BPM · 1 octave · Right hand · G♭4-G♭5 · 4-beat count-in
This guide does not listen to your piano. Completion is self-reported.
PianoGrid
Key signature: Bb, Eb, Ab, Db, Gb, Cb
G♭ – A♭ – B♭ – C♭ – D♭ – E♭ – F – G♭
Direction: Ascending · G♭4 → G♭5 · Semitone movement: 2 – 2 – 1 – 2 – 2 – 2 – 1
| Notes | G♭4 | A♭4 | B♭4 | C♭5 | D♭5 | E♭5 | F5 | G♭5 |
|---|---|---|---|---|---|---|---|---|
| Fingers | 2 | 3 | 4 | 1 | 2 | 3 | 1 | 2 |
One-octave fingering.
One-octave reference. Finger numbers appear only for the hand and direction combinations covered by the sources listed above.
The g flat major scale is G♭–A♭–B♭–C♭–D♭–E♭–F–G♭. Its six-flat signature is B♭, E♭, A♭, D♭, G♭ and C♭. C♭ is the white B key, one semitone below C. The half steps are B♭–C♭ and F–G♭. Calling C♭ “B” in the written scale would repeat the B letter and leave no C degree, even though the physical key would sound the same.
The g flat major scale starts on the black key immediately left of G. G major starts on white G and uses G–A–B–C–D–E–F♯, a different pitch collection with one sharp. F♯ major is the enharmonic match for G♭: it uses the same keys with six sharps instead of six flats. A score in the flat spelling connects this scale to relative E♭ minor; the sharp spelling connects to D♯ minor. The right hand uses treble clef; the left hand uses bass clef.
For the g flat major scale, the explicitly paired F♯/G♭ source gives right-hand ascent 2–3–4–1–2–3–1–2 and left-hand ascent 4–3–2–1–3–2–1–4. Line those numbers up with G♭–A♭–B♭–C♭–D♭–E♭–F–G♭. The thumbs land on C♭ and F, the two white keys. The left-hand upper endpoint differs from the Music Fun F♯ example; this page preserves its own source choice. Descending fingers are not supplied: select descent for notes, staff and audio marked Notes only.
Start a g flat major scale practice pass with B♭–C♭–D♭. Find the white B key for C♭, and retain the C letter when reading its staff position. Then play E♭–F–G♭ and hear the final half step. Use one hand and one octave at a time. Read the descending notes G♭–F–E♭–D♭–C♭–B♭–A♭–G♭ before listening. This reference does not supply a two-octave fingering or evaluate your performance.
The g flat major scale builds G♭–B♭–D♭ for I and C♭–E♭–G♭ for IV. Its dominant is D♭–F–A♭; F stays natural. Degrees 2 and 3 give A♭ minor and B♭ minor, while degree 7 gives F–A♭–C♭, F diminished. The relative E♭ natural minor uses this same collection but resolves on E♭. Keep these flat spellings in the table and use the linked F♯ chord reference only as an explicitly labeled same-key comparison.
The key of G♭ major uses the same notes as the G♭ major scale. Each degree of G♭ major has a name, and stacking every other note from that degree gives the triad built on it. Roman numerals use capitals for major triads, lower case for minor and ° for diminished.
E♭ minor is the relative minor of G♭ major. Both keys use the same notes and key signature, but the minor key starts on degree 6.
G♭ major uses five black keys: G♭, A♭, B♭, D♭ and E♭. C♭ is played on the white key B.
On a narrow screen, scroll this table horizontally to read every column.
| Degree | Note | Degree name | Triad | Triad notes |
|---|---|---|---|---|
| 1 | G♭ | Tonic | I · G♭ major | G♭ – B♭ – D♭ |
| 2 | A♭ | Supertonic | ii · A♭ minor | A♭ – C♭ – E♭ |
| 3 | B♭ | Mediant | iii · B♭ minor | B♭ – D♭ – F |
| 4 | C♭ | Subdominant | IV · C♭ major | C♭ – E♭ – G♭ |
| 5 | D♭ | Dominant | V · D♭ major | D♭ – F – A♭ |
| 6 | E♭ | Submediant | vi · E♭ minor | E♭ – G♭ – B♭ |
| 7 | F | Leading tone | vii° · F diminished | F – A♭ – C♭ |
Adding a seventh to the dominant triad gives V7, the dominant seventh of G♭ major. D♭7: D♭ – F – A♭ – C♭.
No. The g flat major scale begins on G♭ and has six flats. G major begins a semitone higher and has only F♯ in its signature. F♯ major, rather than G major, is the same-key enharmonic match.
The g flat major scale contains G♭, A♭, B♭, C♭, D♭, E♭ and F. C♭ is played on white B. Both C♭ and F are white keys even though the signature has six flats.
The g flat major scale ascent shown here uses thumbs on C♭ and F, right hand 2–3–4–1–2–3–1–2 and left hand 4–3–2–1–3–2–1–4. Descending fingers are unavailable in the checked source; those rows show Notes only.
The g flat major scale gives G♭ major, A♭ minor, B♭ minor, C♭ major, D♭ major, E♭ minor and F diminished. E♭ minor is its relative minor. Preserve C♭ in the fourth-degree major chord and seventh-degree diminished chord.
Sources below are limited to the note, theory, fingering, or editorial scope recorded for this page. A source record is not the same as a teacher review.
Supports: F-sharp/G-flat major spellings and explicitly paired one-octave ascending fingers. No descending fingering.
Location: F# / Gb section and theoretical spelling overview.
Supports: Major-scale W–W–H–W–W–W–H rule; ascending/descending scale definition; half step is adjacent keyboard pitches; tonic repeated at octave
Location: The major scale, lines 6 and 12–21
Supports: Pitch step, alter, octave; C4 convention; key signature fifths positive/negative
Location: Key and Pitch, lines 80–119
Supports: Official public entry for the Standard MIDI Files specification
Location: Standard MIDI Files overview